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Description
339 Rome et les mangeurs d’hommes au début de l’Empire
sometimes despised
and blurred by ethnic
from the Académie des Beaux-Arts to foreign collectors' circles
upon their return to their country
Détails d'Opalka. Récit. Sculpture 339 Rome et les mangeurs"For a long time, I believed that painting was about brushes, an easel, colors, and a man standing in front of a canvas. Opalka taught me that it was much more, that it was also a thought. He opened up a wider space for me, anchored me further, where looking is not enough, when pictorial emotion passes through reflection, when pleasure and knowledge are mixed."
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