KŌRIN FURUYA, Kōrin-style Patterns n. 40, 1897 sculture Designing Nature: The Rinpa Aesthetic

Designing Nature: The Rinpa Aesthetic in Japanese Art

edito da Bergstrom

The plate is part of the series Fifty-three Stations of the Tōkaidō Vertical (Gojūsan-tsugi meisho zue)

ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi

In 1918 he began collaborating with the famous publisher Shōzaburō Watanabe

KŌRIN FURUYA, Kōrin-style Patterns n. 40, 1897 sculture Designing Nature: The Rinpa AestheticStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: