Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome commissioned by the imperial authorities

commissioned by the imperial authorities to inspect the monuments of the peninsula

documents relating to the rental of donkeys or others

he graced the cover of Time magazine

It was upon returning from one of his trips to Lapland in 1962 that he created the "logograms

discoveries

Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome commissioned by the imperial authoritiesHealing what is broken is perhaps, for Christine Aebi Ochsner, the very basis of a creative poetic process. After numerous exhibitions in Switzerland and abroad, and a host of articles devoted to her unique and diverse work, Christine Aebi Ochsner wanted to make her work accessible to a wide audience in the form of a monograph. The richly illustrated work contains contributions from journalists, art historians and writers from very different